Thursday, May 28, 2020

Moral Dilemmas





Ethical Dilemmas also have a Real World application, such as the case with Flight 93 from Pennsylvania, September 11th, 2001.

Morality based on results is MORAL REASONING

Consequentialist: Locates morality in the consequence of an act, state of the world as a result of what you do.

If you hesitated to push the fat man or yank out the organs because the act is categorically wrong then that would make you a categorical thinker. A kind of absolutist, locating morality in certain duties or rights.

Yet where do our rights come from?



Jeremy Bentham was an 18th century British philosopher that wrote a lot about ethics and morality. John Stuart Mill built on Bentam's concepts and developed Utilitarianism, which today we call cost benefit analysis and the greater good. 


This philosophy seeks to maximize utility or the balance of pleasure over pain, happiness over suffering. The greatest good for the most number of people. Think of it as lifeboat ethics.
A most curious case...

What is happiness? Is it merely just the absence of suffering?  If satisfaction truly exists then it can be measured, right? A dog or cats life consists of appetites, cravings, desires, gratifications. Same with humans only more complicated. In the 1930's some psychologists tried to figure out. Lead by a chap named Thorndike they took a survey.

How much would you have to be paid to...

Live in Kansas?
Eat a worm?
Have a tooth pulled?

Lastly, can you make an argument for texting while driving using cost benefit analysis? 

About the same time Emmanuel Kant came up with a different approach. This unyielding German fellow said that morality was in the action and not the result.


But do we really know what right and wrong is? Is there some gray area? Can we really trust our knowledge of the world?


And is morality simply just made up?


So what about putting moral dilemma's in your stories?


https://www.writersdigest.com/write-better-fiction/5-moral-dilemmas-that-make-characters-stories-better

Tuesday, May 19, 2020

Dr. Demento Radio Show & National Lampoons Radio & the 70's


When I was a kid, like many of my friends, joined Columbia House Records. Remember them? 12 CDs for a penny and they owned your soul. Anyways, I ended up getting a bunch of Dr. Demento CDs. I was a weird kid... and an even weirder adult. Also I tuned into his very last broadcast by accident whilst twisting the dial. Makes sense since the first CD I ever bought was They Might Be Giants' Flood...





from drdemento.com

Dr. Demento has been celebrating "mad music and crazy comedy" on the airwaves playing everything from Spike Jones to Frank Zappa for nearly five decades. He is responsible for introducing the world to the Dr. Demento Show's #1 most requested song of all time, "Fish Heads", and even launching the career of the most successful artist in the entire history of funny music--"Weird Al" Yankovic. Throughout the years, the world-famous Doctor's influence on pop culture has earned him induction into the National Radio Hall of Fame, an hour long Anniversary special on Comedy Central, featured guest appearances on Late Night with David Lettermen, Larry King Live, and countless others including the award winning animated sitcom The Simpsons.
Dr. Demento is a world-renowned record collector and music historian, whose lifelong passion for music of all kinds is reflected in the weekly selections heard on the Dr. Demento Show. In addition to live appearances and performances nationwide, the Doctor lectures at educational institutions drawing on his extensive knowledge of the history of Comedy, the music of Frank Zappa, the history of punk rock, and many other topics.
Most recently, a compilation album of all-new recordings entitled "Dr. Demento Covered In Punk" was released on CD, vinyl, digital download and streaming services. The new album (released January 2018) has the notable honor of being the highest charting "Dr. Demento" branded release to date. "Dr. Demento Covered In Punk" debuted on the Billboard chart as the #1 Comedy album for two consecutive weeks, and held various positions in the top 10 over the course of six months. The album simultaneously charted outside comedy as the #18 new alternative music album, #20 on Billboard's top independent album chart, and #5 on the Billboard Compilation Albums chart, and has also been the focus of a feature segment on CNN.
With interest from an entirely new generation of "Dementites and Dementoids" (as his fans are affectionately known), as well as those who've been loyal throughout the 70s, 80s, 90s and onward, now approaching his 50th Anniversary - the Doctor is in and more topical than ever!


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Much Selected from Dr. Demento Playlist on YouTube



He discovered Weird Al Yankovich who send him a mix tape...


It was mostly music on the show but occasionally had spoken word...



The Show featured some old-tyme regulars who got their start in radio. Regulars like Tom Lehr...




Allan Sherman



Stan Freberg



Randy Newman



Chuck Berry


Lonnie Donegan


Spike Jones

sometimes on the show it was serious artists the public considered oddities


And contemporary artists like Tom Waits



Some were just weird


A smattering of songs were from B movies



Some of the songs were spoofed musical genres... 




'
'They're Coming to Take Me Away' by Napoleon XIV was banned on many radio stations for essentially being too weird...

 
A 1983, Musikladen video production for the Napoleon XIV song, They're Coming To Take Me Away. A novelty record and originally released in 1966. Written and performed by Jerry Samuels (billed as Napoleon XIV), and released on Warner Bros. Records. The song became an instant success in the United States, peaking at #3 on the Billboard Hot 100 and #4 in the UK.

in fact a number of the songs could be controversial...


Some vaguely racist



Others were so silly that they are hilarious (well at least this one got me)


Some songs could be very catchy



Recent song parodies worth mentioning






Another notable is National Lampoons Radio Hour. The 1st Season of Saturday Night Live recruited heavily from this odd collective...




Heart of Darkness



Heart of Darkness (1899) is a novella by Polish-English novelist Joseph Conrad about a narrated voyage up the Congo River into the Congo Free State in the Heart of AfricaCharles Marlow, the narrator, tells his story to friends aboard a boat anchored on the River Thames. This setting provides the frame for Marlow's story of his obsession with the successful ivory trader Kurtz. Conrad offers parallels between London ("the greatest town on earth") and Africa as places of darkness.
Central to Conrad's work is the idea that there is little difference between "civilised people" and those described as "savages." Heart of Darkness implicitly comments on imperialism and racism.
Originally issued as a three-part serial story in Blackwood's Magazine to celebrate the thousandth edition of the magazine, Heart of Darkness has been widely re-published and translated into many languages. It provided the inspiration for Francis Ford Coppola's 1979 film Apocalypse Now. In 1998, the Modern Library ranked Heart of Darkness 67th on their list of the 100 best novels in English of the twentieth century.

Composition and publication


Joseph Conrad based Heart of Darkness on his own experiences in the Congo.
In 1890, at the age of 32, Conrad was appointed by a Belgian trading company to serve on one of its steamers. While sailing up the Congo River from one station to another, the captain became ill and Conrad assumed command. He guided the ship up the tributary Lualaba River to the trading company's innermost station, Kindu, in Eastern Kongo; Marlow has similar experiences to the author.
When Conrad began to write the novella, eight years after returning from Africa, he drew inspiration from his travel journals. He described Heart of Darkness as "a wild story" of a journalist who becomes manager of a station in the (African) interior and makes himself worshipped by a tribe of savages. The tale was first published as a three-part serial, in February, March and April 1899, in Blackwood's Magazine (February 1899 was the magazine's 1000th issue: special edition). In 1902 Heart of Darkness was included in the book Youth: a Narrative, and Two Other Stories, published on 13 November 1902 by William Blackwood.
The volume consisted of Youth: a NarrativeHeart of Darkness and The End of the Tether in that order. In 1917, for future editions of the book, Conrad wrote an "Author's Note" where he, after denying any "unity of artistic purpose" underlying the collection, discusses each of the three stories and makes light commentary on Marlow, the narrator of the tales within the first two stories. He said Marlow first appeared in Youth.
On 31 May 1902, in a letter to William Blackwood, Conrad remarked,
I call your own kind self to witness ... the last pages of Heart of Darkness where the interview of the man and the girl locks in—as it were—the whole 30000 words of narrative description into one suggestive view of a whole phase of life and makes of that story something quite on another plane than an anecdote of a man who went mad in the Centre of Africa.
There have been many proposed sources for the character of the antagonist, Kurtz. Georges-Antoine Klein, an agent who became ill and died aboard Conrad's steamer, is proposed by scholars and literary critics as a basis for Kurtz. The principal figures involved in the disastrous "rear column" of the Emin Pasha Relief Expedition have also been identified as likely sources, including column leader Edmund Musgrave Barttelot, slave trader Tippu Tip and the expedition leader, Welsh explorer Henry Morton Stanley. Conrad's biographer Norman Sherry judged that Arthur Hodister (1847–1892), a Belgian solitary but successful trader, who spoke three Congolese languages and was venerated by the Congolese villagers among whom he worked to the point of deification, served as the main model, while later scholars have refuted this hypothesis. Adam Hochschild, in King Leopold's Ghost, believes that the Belgian soldier Léon Rom influenced the character. Peter Firchow mentions the possibility that Kurtz is a composite, modelled on various figures present in the Congo Free State at the time as well as on Conrad's imagining of what they might have had in common.

Plot summary

Aboard the Nellie, anchored in the River Thames near Gravesend, Charles Marlow tells his fellow sailors how he became captain of a river steamboat for an ivory trading company. As a child, Marlow had been fascinated by "the blank spaces" on maps, particularly by the biggest, which by the time he had grown up was no longer blank but turned into "a place of darkness". Yet there remained a big river, "resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country and its tail lost in the depths of the land". The image of this river on the map fascinated Marlow "as a snake would a bird". Feeling as though "instead of going to the centre of a continent I were about to set off for the centre of the earth", Marlow takes passage on a French steamer bound for the African coast and then into the interior. After more than thirty days the ship anchors off the seat of government near the mouth of the big river. Marlow, with 200 mi (320 km) to go yet, takes passage on a little sea-going steamer captained by a Swede. He departs some 30 mi (48 km) up the river where his company's station is. Work on the railway is going on, involving removal of rocks with explosives. Marlow enters a narrow ravine to stroll in the shade under the trees, and finds himself in "the gloomy circle of some Inferno": the place is full of diseased Africans who worked on the railroad and now lay sick and gaunt, awaiting death. Marlow witnesses the scene "horror-struck."
Marlow must wait for ten days in the company's Outer Station. He sleeps in a hut. At this station, which strikes Marlow as a scene of devastation, he meets the company's impeccably dressed chief accountant who tells him of a Mr. Kurtz, who is in charge of a very important trading-post, and a widely respected, first-class agent, a "'very remarkable person'" who "'Sends in as much ivory as all the others put together'". The agent predicts that Kurtz will go very far: "'He will be a somebody in the Administration before long. They, above—the Council in Europe, you know—mean him to be'".

Belgian river station on the Congo River, 1889
Marlow departs with a caravan of sixty men to travel on foot about 200 miles (320 km) into the wilderness to the Central Station, where the steamboat that he is to captain is based. On the fifteenth day of his march, he arrives at the station, which has some twenty employees and is shocked to learn from a fellow European that his steamboat has been wrecked in an accident two days earlier. He meets the general manager, who informs him that he could wait no longer for Marlow to arrive, because the up-river stations had to be relieved and tells him of a rumour that one important station is in jeopardy because its chief, the exceptional Mr. Kurtz, is ill. "Hang Kurtz", Marlow thinks, irritated. He fishes his boat out of the river and is occupied with its repair for some months, during which a sudden fire destroys a grass shed full of materials used to trade with the natives. While one of the natives is tortured for allegedly causing the fire, Marlow is invited in the room of the station's brick-maker, a man who spent a year waiting for material to make bricks. Marlow gets the impression the man wants to pump him and is curious to know what kind of information he is after. Hanging on the wall is "a small sketch in oils, on a panel, representing a woman draped and blindfolded carrying a lighted torch". Marlow is fascinated with the sinister effect of the torchlight upon the woman's face, and is informed that Mr. Kurtz made the painting in the station a year ago. The brick-maker calls Kurtz "'a prodigy'" and "'an emissary of pity, and science, and progress'", and feels Kurtz represents the "'higher intelligence, wide sympathies, a singleness of purpose'" needed for the cause Europe entrusts the Company with. The man predicts Kurtz will rise in the hierarchy within two years and then makes the connection to Marlow: "'The same people who sent him specially also recommended you'".
Marlow is frustrated by the months it takes to perform the repairs, delayed by the lack of proper tools and replacement parts at the station. He learns that Kurtz is not admired but rather resented by the manager. Once underway, the journey up-river to Kurtz's station takes two months. The steamboat stops briefly near an abandoned hut on the riverbank, where Marlow finds a pile of wood and a note indicating that the wood is for them and that they should proceed quickly but with caution as they near the Inner Station.

The Roi des Belges ("King of the Belgians"—French), the Belgian riverboat Conrad commanded on the upper Congo, 1889
The journey pauses for the night about 8 miles (13 km) below the Inner Station. In the morning the crew awakens to find that the boat is enveloped by a thick white fog. From the riverbank they hear a very loud cry, followed by a discordant clamour. A few hours later, as safe navigation becomes increasingly difficult, the steamboat is attacked with a barrage of small arrows from the forest. The helmsman is impaled by a spear and falls at Marlow's feet. Marlow sounds the steam whistle repeatedly, frightening the attackers and causing the shower of arrows to cease. Marlow and a pilgrim (Marlow's word for the European hangers-on in the steamer) watch the helmsman die. In a flash forward, Marlow notes that the International Society for the Suppression of Savage Customs had commissioned Kurtz to write a report, which he did eloquently. A handwritten postscript, apparently added later by Kurtz, reads "Exterminate all the brutes!"
At Kurtz's station Marlow sees a man on the riverbank waving his arm, urging them to land. The pilgrims, heavily armed, escort the manager on to the shore to retrieve Mr. Kurtz. The man from the bank boards the steamboat and turns out to be a Russian wanderer who had happened to stray into Kurtz's camp. He explains that he had left the wood and the note at the abandoned hut. Through conversation Marlow discovers just how wanton Kurtz can be; how the natives worship him; and how very ill he has been of late. The Russian admires Kurtz for his intellect and his insights into love, life and justice and suggests that he is a poet. He tells of how Kurtz opened his mind and seems to admire him even for his power—and for his willingness to use it. Marlow, on the other hand, suggests that Kurtz has gone mad.
From the steamboat, Marlow observes the station in detail and is surprised to see near the station house a row of posts topped with the severed heads of natives. Around the corner of the house, the manager appears with the pilgrims, bearing a gaunt and ghost-like Kurtz on an improvised stretcher. The area fills with natives, apparently ready for battle but Kurtz shouts something from the stretcher and the natives retreat into the forest. The pilgrims carry Kurtz to the steamer and lay him in one of the cabins, where he and the manager have a private conversation. Marlow watches a beautiful native woman walk in measured steps along the shore and stop next to the steamer; literary commentators say she is Kurtz's mistress. When the manager exits the cabin he pulls Marlow aside and tells him that Kurtz has harmed the company's business in the region, that his methods are "unsound". Later, the Russian reveals that Kurtz believes the company wants to remove him from the station and kill him and Marlow confirms that hangings had been discussed.

Arthur Hodister (1847-1892), who Conrad's biographer Norman Sherry has argued served as one of the sources of inspiration for Kurtz
After midnight, Marlow discovers that Kurtz has left his cabin on the steamer and returned to shore. He goes ashore and finds a very weak Kurtz crawling his way back to the station house, though not too weak to call to the natives for help. Marlow threatens to harm Kurtz if he raises an alarm but Kurtz only laments that he had not accomplished more in the region. The next day they prepare for their journey back down the river. The natives, including the ornately dressed woman, once again assemble on shore and begin to shout unintelligibly. Noticing the pilgrims readying their rifles, Marlow sounds the steam whistle repeatedly to scatter the crowd of natives. Only the woman remains unmoved, with outstretched arms. The pilgrims open fire as the current carries them swiftly downstream.
Kurtz's health worsens on the return trip and Marlow becomes increasingly ill. The steamboat breaks down and while it is stopped for repairs, Kurtz gives Marlow a packet of papers, including his commissioned report and a photograph, telling him to keep them away from the manager. When Marlow next speaks with him, Kurtz is near death; Marlow hears him weakly whisper "The horror! The horror!". A short while later, the "manager's boy" announces to the rest of the crew, "Mistah Kurtz—he dead" . The next day Marlow pays little attention to the pilgrims as they bury "something" in a muddy hole. He falls very ill, himself near death.
Upon his return to Europe, Marlow is embittered and contemptuous of the "civilised" world. Several callers come to retrieve the papers Kurtz had entrusted to him, but Marlow withholds them or offers papers he knows they have no interest in. He then gives Kurtz's report to a journalist, for publication if he sees fit. Finally Marlow is left with some personal letters and a photograph of Kurtz's fiancée, whom Kurtz referred to as "My Intended". When Marlow visits her, she is dressed in black and still deep in mourning, although it has been more than a year since Kurtz's death. She presses Marlow for information, asking him to repeat Kurtz's final words. Uncomfortably, Marlow lies and tells her that Kurtz's final word was her name.
Source: Wikipedia

Movie the book inspired: Apocalypse Now (we'll watch full movie Saturday)




ASSIGNMENT: Write about a dark trip full of foreboding, 50 to 200 words. Or translate a paragraph like in the excerpt link. Or narrate a 30 second video of a river boat heading up river.

Monday, May 18, 2020

JAZZ, BIG BAND & SWING

check out Big Band & Swing Playlist on youtube

Search Results

Featured snippet from the web

The term “Big Band”, referring to Jazz, is vague but popular. The term generally refers to the swing era starting around 1935 but there was no one event that kicked off a new form of music in 1935. It had evolved naturally from the blues and jazz of New Orleans, Chicago and Kansas City.
                The Andrews Sisters - Boogie Woogie Bugle Boy from Company B
                                                         Jitterbug Dance-Off
Scatting was also a feature of early Jazz
                                           Cab Calloway - Minnie the Moocher

Jazz is a kind of music in which improvisation is typically an important part. In most jazz performances, players play solos which they make up on the spot, which requires considerable skill. There is tremendous variety in jazz, but most jazz is very rhythmic, has a forward momentum called "swing,"

                       Sing Sing Sing - Benny Goodman


 and uses "bent" or "blue" notes.



 You can often hear "call--and--response" patterns in jazz, in which one instrument, voice, or part of the band answers another. (You can hear Ella Fitzgerald and Roy Eldridge do "call and response" in Ella's Singing Class.
Ray Charles - What I'd Say
Ray Charles - Mess Around

Jazz can express many different emotions, from pain...

 to sheer joy. 
                                     Glenn Miller and his Orchestra - In the Mood
In jazz, you may hear the sounds of freedom-for the music has been a powerful voice for people suffering unfair treatment because of the color of the skin, or because they lived in a country run by a cruel dictator.

THE NATURE OF JAZZ

Jazz musicians place a high value on finding their own sound and style, and that means, for example, that trumpeter Miles Davis sounds very different than trumpeter Louis Armstrong (whose sound you can hear in Louis's Music Class.) 

                                 Louie Armstrong - When the Saints Go Marching in

Miles Davis - So What

Jazz musicians like to play their songs in their own distinct styles, and so you might listen to a dozen different jazz recordings of the same song, but each will sound different. The musicians' playing styles make each version different, and so do the improvised solos. Jazz is about making something familiar--a familiar song--into something fresh. And about making something shared--a tune that everyone knows--into something personal. Those are just some of the reasons that jazz is a great art form, and why some people consider it "America's classical music."

So where does Jazz come from? In my estimation it's from Classical Music...

                       Freddy Martin and his orchestra - Piano Concerto In B Flat - 1941

Traditional African Music....



And Folk...



                                             The Bill Smith Quartet - Folk Jazz

THE GROWTH OF JAZZ

Jazz developed in the United States in the very early part of the 20th century. New Orleans, near the mouth of the Mississippi River, played a key role in this development. The city's population was more diverse than anywhere else in the South, and people of African, French, Caribbean, Italian, German, Mexican, and American Indian,

 As well as English, descent interacted with one another. African-American musical traditions mixed with others and gradually jazz emerged from a blend of ragtime,

 marches,

 blues, 

Tin Pan Alley,


and other kinds of music. At first jazz was mostly for dancing. (In later years, people would sit and listen to it.) After the first recordings of jazz were made in 1917,

Their 1918 hit 'Tiger Rag'


The competition: Creole Jazz Band



 the music spread widely and developed rapidly. The evolution of jazz was led by a series of brilliant musicians such as Louis Armstrong, Duke Ellington (listen to Ellington in Duke's Music Class),



 Charlie Parker, 

and Miles Davis. Jazz developed a series of different styles including traditional jazz, swing (listen, for example, to Benny Carter, who got his start in swing music, in Benny's Music Class) bebop,
Charlie Parker - Bebop



                            Dizzy Gillespie - Bebop
 cool jazz,

 and jazz rock, or in this case, Psychedelic Jazz Rock Fusion...


The list goes on and on. At the same time, jazz spread from the United States to many parts of the world, and today jazz musicians--and jazz festivals--can be found in dozens of nations. Jazz is one of the United States's greatest exports to the world.
Other notables...

Chaotic/Discordant Jazz

Dave Brubeck' Take 5 (biggest selling jazz single of all time)



Nicholas Brothers



Time to make our own Jazz band: